How to Avoid the Cutting Room Floor: An editor's advice for on-camera actors, by Jordan Goldman ACE
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How to Avoid the Cutting Room Floor: An editor's advice for on-camera actors, by Jordan Goldman ACE
Best Ebook PDF How to Avoid the Cutting Room Floor: An editor's advice for on-camera actors, by Jordan Goldman ACE
What steps can an actor take to avoid being cut out of a movie or TV show?
Emmy-winning editor Jordan Goldman, A.C.E. takes you inside the cutting room and pulls back the curtain on how and why directors, showrunners, and editors decide whether your performance makes it to the screen. He explains the key things actors should do - and shouldn't do - to avoid getting cut out.
Topics include:
- what an editor does
- how editors evaluate your work
- why actors get cut
- what you can control
- what you can't control
Packed with useful, practical tips, real-life anecdotes and examples, and illustrated with black-and-white photos.
"Whether you are just starting to break into the film and television industry, or you're already working and want to refine your on-camera technique, "How to Avoid the Cutting Room Floor" is a must read! I wish I’d had a book early in my career that gave me a fraction of the insights and advice that Jordan provides here. Grab this invaluable book by one of the television industry's most talented and respected editors." -- Michael Chiklis
How to Avoid the Cutting Room Floor: An editor's advice for on-camera actors, by Jordan Goldman ACE- Amazon Sales Rank: #461893 in Books
- Published on: 2015-07-22
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .32" w x 5.25" l, .34 pounds
- Binding: Paperback
- 140 pages
About the Author From HOMELAND to MASTERS OF SEX to THE SHIELD, Jordan Goldman, A.C.E. has worked for nearly 20 years in Hollywood's TV and film industry, cutting over 70 episodes of television. His keen eye for performance and strong sense of story have earned him an Emmy for Outstanding Editing for a Drama Series, and an American Cinema Editors Eddie. Jordan is a member of the Motion Picture Editor's Guild, the American Cinema Editors, the Television Academy, and the Director's Guild of America.
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Most helpful customer reviews
1 of 1 people found the following review helpful. A Book For Actors AND A Book For Editors! By martin h I really liked this book for many reasons, but here are two specific examples: This unique book gives a great advantage to actors by clearly pointing out how to get as much screen time as possible, AND it also teaches editors what to look for in an actor's performance. Once an actor has the awareness of some basic and important principles of Editing, and once an editor becomes more aware of what to look for in an actor's performance, each becomes better at their craft and their art. This book is really two books in one.I discuss the concepts of your book in my Editing classroom as a way to give a unique perspective on the basics of Editing.Thank you Jordan!
1 of 1 people found the following review helpful. Excellent book and one you will reference often By Marianna Montague Excellent book that every actor, actress, editor, director and producer should read. There are several “nuggets of goodness” hidden in this book which I hadn’t even considered important. I do now. You will learn what the editor does and the countless hours of footage they have to go thru, as an actress or actor, how to not get cut from a scenes and so much more. Coming from the editing side of the business and assisting so many editors with the tools of their craft (Avid), the book was simply fascinating and I read it in one sitting. Definitely a book to get and I have a feeling it will be one that I reference often.
1 of 1 people found the following review helpful. Immediate Practical Application! By ZG Tim Phillips, on-camera acting teacher, has been recommending this book to us for 2 years, ever since he heard from a student that this was in the works. We thought it would be called "I Love It When An Actor Knows When To Blink." I read it (highlighting the crap out of it) in one cross-country flight. I couldn't put it down. It's easy, clean, and full of immediate practical application. I feel so much better-prepared knowing what the tools I use as an actor are working for, and how they are translated, on the other side of the camera. Thank you thank you!
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