We Can Be Who We Are: Movie Musicals from the '70s (hardback), by Lee Gambin
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We Can Be Who We Are: Movie Musicals from the '70s (hardback), by Lee Gambin
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This is the HARDBACK version. The movie musical has been a much loved genre since motion pictures found a voice and learned to sing. Throughout the decades, audiences thrilled to the glamour of the musicals of Busby Berkley and were emotionally invested in stories about Austrian nuns and the King of Siam with the musicals from Rodgers and Hammerstein. With the advent of Rock 'n Roll, Heavy Metal, R&B, Motown, Punk Rock, and Disco entering the public consciousness, musicals started to sing a very different tune. Into the 1970s, the movie musical became a daring, dangerous, and divinely decedent cinema experience. Lee Gambin's We Can Be Who We Are: Movie Musicals from the 1970s explores this explosive energy and diversity. From the quirky sophistication of On A Clear Day You Can See Forever and the dark unnerving genius of Cabaret to the sweet sentimentality of Charlotte's Web, Gambin's book offers insightful film criticism while exhaustively covering the decade. Some of the films Gambin examines include Phantom of the Paradise, Grease, The Wiz, Rock'n'Roll High School, Bedknobs and Broomsticks, All That Jazz, Godspell, Hair, The Rose, Saturday Night Fever, The Rocky Horror Picture Show, Willy Wonka and the Chocolate Factory, Pete's Dragon, Tommy, Kiss Meets The Phantom of the Park, and many, many more. The book also features incredible brand new interviews from dozens of extremely talented artists who made these movies possible: director John Carpenter discussing his biopic Elvis; Lesley Ann Warren giving fascinating insight into the made for TV production It's A Bird...It's A Plane...It's Superman; auteur filmmaker Norman Jewison delivering two very different musicals with Fiddler on the Roof and Jesus Christ Superstar. This book is loaded with numerous production stories and candid insights into how these films were made and received. Gambin's book also features loads of wonderful photos, many of which have never before been seen including wonderfully candid behind the scenes stills!
We Can Be Who We Are: Movie Musicals from the '70s (hardback), by Lee Gambin- Amazon Sales Rank: #3621517 in Books
- Published on: 2015-07-28
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x 1.69" w x 5.98" l, 2.74 pounds
- Binding: Hardcover
- 812 pages
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Most helpful customer reviews
1 of 1 people found the following review helpful. A mammoth must-have that exhaustively covers such a variety of musical films By Greg Ehrbar This is a large book, but it's a remarkably swift and enjoyable read. I chose to read about the movies I liked best, but could not resist reading about the ones that were so-so. But Gambin writes with such enthusiasm and conviction, every chapter is fascinating and entertaining, whether the film is familiar of not. Some of the reviews are combined in a single section and others are given lengthy examination.The obvious films are here, like Grease, Saturday Night Fever, Fiddler on the Roof, Jesus Christ Superstar, Godspell, even Willy Wonka and the Chocolate Factory. What is truly marvelous is that a lot of films -- and TV specials -- that are usually tossed aside or barely acknowledged in most film books are included, like Pufnstuf, Bedknobs and Broomsticks, Journey Back to Oz, Raggedy Ann & Andy and Sherman Brothers musicals like Charlotte's Web, The Magic of Lassie, Snoopy Come Home, Tom Sawyer and Huckleberry Finn are discussed with a respect and importance rarely if ever given to them.Gambin also considers TV specials as valid musicals of the '70s and why not? He reviews several Rankin/Bass classics like Santa Claus is Comin' to Town and The Easter Bunny is Comin' To Town, plus TV versions of Broadway shows like Applause and It's a Bird! It's a Plane! It's Superman!. You'll even find the infamous Star Wars Holiday Special, The Paul Lynde Halloween Special and Hanna-Barbera's KISS Meets the Phantom of the Park!Gambin often puts the subtexts and messages of the films under a microscope, much as a college professor would in a film class. It's his book and his valid opinion, but some might be taken aback by some of the things he interprets. The book covers material from A to Z and from G-rated to X-rated, so the reader will be exposed to very mature subject matter and politically incorrect verbiage inherent in films that are of their time.I would have given this book four stars because there are quite a few misspellings and grammatical issues. The interviews are presented unedited, which means that repetitions and extraneous phrases are intact. That's great from an historic point of view, but it makes the reading somewhat tedious and is not a favor to the interview subjects (from my experience, they don't mind a little gentle editing). It would have also been helpful if the table of contents included the titles of the films covered. However, the interviews are pure gold and the overall book is so thorough on so many points that it still gets five stars.(This review was based on a copy of the book provided for review.)
1 of 1 people found the following review helpful. 70s musicals are the word(s)! By Johnny Caps Full disclosure: I'm friends with Lee Gambin on Facebook, and he's been kind enough to help me land some interviews of my own. Even if I didn't know him, though, I would still recommend this book. With a keen eye for detail, Lee paints a picture of the film musicals of the 1970s (and the first year of the 80s as well). His writing is witty, and he's landed some amazing interviews. So far, I'm at the section of the book on "The Aristocats", but there's much more I've yet to read. This is a massive tome, but an entertaining one. Congratulations, Lee.
0 of 0 people found the following review helpful. This book is FANTASTIC! Lee Gambin has reviewed every musical of the ... By Paul Kidney This book is FANTASTIC! Lee Gambin has reviewed every musical of the 1970's & has a great insight into the format. His cinematic knowledge is immense & I wanna watch so many of these musicals NOW.Do yourself a favour & buy this book.
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