Wounds to Bind: A Memoir of the Folk-Rock Revolution, by Jerry Burgan
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Wounds to Bind: A Memoir of the Folk-Rock Revolution, by Jerry Burgan
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The dawn of folk rock comes to life in Jerry Burgan’s unforgettable memoir of the pre-psychedelic 1960s and the summer that changed everything. As a naïve folksinger from Pomona, California, Burgan was thrust to the forefront of the counterculture and its aftermath. The Byrds, the Rolling Stones, the Mamas and Papas, Barry McGuire, Bo Diddley and many others make appearances in this 50th Anniversary reminiscence by the surviving cofounder of WE FIVE, the San Francisco electro-folk ensemble whose million-seller, "You Were On My Mind,” entered the world two months before Bob Dylan plugged in an electric guitar at the Newport Folk Festival. Vying with the Byrds to record the first folk-rock hit, Burgan and his lifelong friend Mike Stewart embarked on a road they thought well paved by the latter's older brother, Kingston Trio member John Stewart. Little did they realize that they would join the largest-ever American generation in an ecstatic, sometimes tortured, journey of invention and disillusion. Wounds to Bind bears witness to a lost and hopeful convergence in American history—that missing link between the folk and rock eras—when Bob Dylan and Sammy Davis Jr. were played on the same radio station in the same hour. A survivor of the human realignments, tragedies and triumphs that followed, Burgan tracks down the demons that drove the genius of We Five cofounder Mike Stewart and sheds light on the 40-year enigma of what became of the band’s reclusive lead singer, Beverly Bivens, a forerunner of Grace Slick, Linda Ronstadt, and Stevie Nicks.
Wounds to Bind: A Memoir of the Folk-Rock Revolution, by Jerry Burgan- Amazon Sales Rank: #850092 in Books
- Published on: 2015-07-02
- Original language: English
- Number of items: 1
- Dimensions: 8.91" h x .79" w x 6.06" l, .95 pounds
- Binding: Paperback
- 270 pages
Review Folksinger Burgan, with assistance from Rifkin, recounts his life as a founding member of the San Francisco electro-folk band We Five ('You Were on My Mind'). This memoir brings together his experiences at a time, the 1960s and 1970s, when the folk and rock music cultures were undeniably going through a transformation. Regardless of your prior knowledge of music or desire to read explicitly about We Five, this book tactfully delves much deeper than band history. It integrates stories of growth and maturity of a group of musicians from teens through adulthood with tales of drugs, religion, relationships, love, and discrimination as seen through Burgan’s eyes. The final chapters include recent updates on the band and its members; for several it was the final days of life among longtime friends. VERDICT This excellent, well-written chronicle of the folk-rock revolution from an active band member of that time will be enjoyed by general readers and fans of music memoirs. (Library Journal)An intimate portrait of a boyhood friendship ripening into rivalry and then redemption. . . .The vivid profile of cultural maven [Frank] Werber may alone be justification for the book. . . .Burgan treats each [of his bandmates] with unfailing tenderness and perception. (San Francisco Examiner)Over these beautifully written pages, we track the history of We Five as the group converged on the 1960s California folk-rock scene, burst to national prominence with its first hit (the phrase 'wounds to bind' comes from 'Mind's' lyrics) and then disintegrated rapidly as inexperience, trends and haphazard management took their toll. . . .We Five, in [Jerry Burgan's] estimation, was once 'in a leading position to redraw the rules of both folk and rock,' and critics may debate whether that's truth or just ecstatic hype. But then, why not be ecstatic about it? Here in the suit-yourself 2010s, when Facebook has trumped balladeering as a tool of social change and the very notion of a song becoming an anthem feels quaint, it's intoxicating to imagine a time when a single's debut would gather spellbound listeners around a radio. Burgan, and others of his generation, emerged from the 1960s with plenty of wounds. Maybe time doesn't always heal them. But sometimes, an up-tempo tune can make them smart a little less. (Daily Pilot)It might seem a stretch for a member of a one-hit wonder (We Five, who did “You Were On My Mind”) to carry a 200-page autobiography – especially when Mike Stewart, brother of the Kingston Trio’s John Stewart, was the group’s visionary, not the author. But...Burgan['s]...observations regarding the birth of folkrock are illuminating. (Vintage Guitar)For those of us who grew up with the magical music of the 60s, this book is riveting and revelatory. It’s a rare opportunity to really get inside the experience of being in a million-selling band. Jerry Burgan co-founded We Five and he tells the group’s story in fascinating detail - all of the exhilaration, all of the pain. Burgas left Southern California an innocent and launched the band in the Bay Area, where he had to grow up fast. It was the era of drugs, racial unrest and the Vietnam War. And then there was the murky maze of the music business. Burgan was teamed with the group’s tortured, creative genius, Mike Stewart, who was trying to climb out of the shadow of his brother John Stewart, a member of the legendary Kingston Trio. The musically adventurous We Five was managed by the Trio’s overseer, Frank Werber, a larger-than-life figure on the local music scene, a man who wanted desperately to be at the forefront of the pop revolution, but was mired in promotional ideas of the past. We Five was among the first to meld the earnestness of folk with the excitement of rock. With the versatile, vivacious vocals of charismatic Beverly Bivens in the spotlight, the group garnered attention. Bivens paved the way for the female rockers who came after her, such asGrace Slick and Linda Ronstadt. Burgan recounts We Five’s interactions with contemporaries like The Byrds, Mark Lindsay and The Rolling Stones. We Five captured lightning in a bottle with the pioneering, genre-crossing folk-rock masterpiece “You Were On My Mind,” a brilliant reworking of a Sylvia Tyson tune. But matching that commercial success again proved to be an impossible task. That makes for a major test of perseverance and dedication to the craft. When fame and fortune are fleeting, does music remain the focal point of these artists’ lives? We Five’s original clean-cut image was supplanted by something more experimental, even psychedelic, but not everyone one the outside was accepting. Stewart and Bivens, if there were any justice, would be viewed as music icons today. Instead, they’re footnotes in pop history. Burgan had to cope with the band’s mind-blowing, warp speed takeoff, followed by a perplexing fade. And maybe it’s only love and marriage that saved him from becoming a rock casualty. He tells We Five’s tale in a touching, thought-provoking, very personal style. He starts his narrative in the 60s, but Burgan soon takes us into timeless territory. (Pop Culture Classics)
About the Author When not performing with We Five, the 1960s folk-rock group that bridged the gulf between Peter, Paul & Mary and The Jefferson Airplane, Jerry Burgan and his wife, Debbie, appear in Folk Songs & Stories, a show built on the Americana that shaped him, blended with anecdotes about how the music of the past evolved into the forms we know today. His first solo CD, Jerry Burgan: Reflections, Songs & Stories, on the Global Recording Artists label, is based on material from his show.Alan Rifkin is a former contributing editor to Details and L.A. Weekly and has written for The Los Angeles Times, Premiere, The San Francisco Bay Guardian and Black Clock. His short-story collection, Signal Hill (City Lights), was a finalist for the Southern California Booksellers Award in Fiction. He teaches creative writing at California State University, Long Beach.
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Most helpful customer reviews
9 of 9 people found the following review helpful. “The Rise and Fall of Folk-Rock” By Howard J. De Nike That flash in the summer of ’65 when folk-rock held center stage, was it a moment of equipoise or disequilibrium? Dylan upset the crowd by plugging in at Newport, while We Five had its meteoric million-seller “You Were on My Mind.” The genres aligned themselves in perfect symmetry, or the carnival milk bottles got knocked over never to be set right again. Fifty years after, Jerry Burgan, one of We Five’s youthful musicians probes the question in Wounds to Bind (Roman & Littlefield). But musicology (would you like to learn about the advent of the 12-string guitar?) is not necessarily the first reason to read this remarkable memoir. (“Wounds to Bind” is the song’s final refrain.) Together with established writer Alan Rifkin, Burgan sets his sights much higher.The real story is one of early success in the same San Francisco scene where sex, drugs, and rock-n-roll would shortly shoulder demure folk-rock rudely aside. It’s also an intimate portrait of a boyhood friendship ripening into rivalry and then redemption. The friend was Mike Stewart (brother of the Kingston Trio’s John Stewart). The two played banjo and guitar in Burgan’s southern California bedroom, no different from thousands of other teens. But it turns out that Michael, as he later wanted to be called, possessed, in Burgan’s words, a “mystical ability to hear a work in all its parts and hold it in his head.” This, plus the Kingston Trio link, led the University of San Francisco sophs, to the North Beach recording studio of renowned manager Frank Werber, who figured he could pass the Trio’s baton to a new generation. (The vivid profile of cultural maven Werber may alone be justification for Wounds to Bind.)In the telling, Burgan sprinkles a lush garden of backstage show biz. Part of Dick Clark’s 1965 musical caravan, which included the Byrds and Paul Revere and the Raiders, We Five found themselves crammed into an impossibly overcrowded bus. Clark himself intervened with a directive to rent additional vehicles, thereby, “look(ing) like who he was: youthful, reassuring, inseparable from his instincts…. I could have been watching a movie version of the man, this clean-faced icon who’d made peace between the public and each new fragile musical revolution, one perfect historic decision at a time.” Sammy Davis, Jr., “the black Jewish Republican,” and a fellow Harrah’s Tahoe performer, earns Burgan’s empathy. While “the hip” saw “a personality in crisis,” Burgan feels Davis “was trying to deal gracefully with the boxes that divided all of us.”Inevitably the Hollywood TV gigs (Bob Hope and Fred Astaire’s shows) peter out as the excitement of “You Were on My Mind” wanes without an encore. County fair dates and lounge act bookings follow. (The “Baylor Beauties” episode and a large kerrplop at St. Olaf’s College are hilarious.) But just when the narrative should flag, the writing and drama of personal lives carry the day. Somewhere in the musical odyssey Burgan gained introspection. His forty-plus year marriage to Arkansas-reared singer Debbie allows the chance to paint an unlikely union of “born-again” and California-cool prodigy.At book’s end all the desired where-are-they-now squares are dutifully checked. Fifty years of labor is a lifetime for most, and the details, at least for We Five, prove poignant. Some stuck with music (fated Mike Stewart, dead at 57, hit it big as a producer for Billy Joel); the bassist became a self-anointed minister to the homeless. We Five’s risible sixth member, the drummer, died mysteriously in 1985 from head trauma. Burgan treats each with unfailing tenderness and perception. That applies to Wounds to Bind cover-to-cover.Howard J. De Nike, Lecturer, Cultural Anthropology, University of San Francisco
5 of 5 people found the following review helpful. EXCELLENT BOOK! By Pacifist 4/26/2014 - No reviews yet? OK, I'll start. Especially for us baby boomers who came of age during the 60's, living & breathing folk, then folk-rock music, this book gives us an enticing backstage view, brings back wonderful memories & reminds us of all humanity's potential for good, fulfilled lives. We fans may have been sideline participants in the "scene," but the talented Burgans(Jerry & his wife,Debbie)were active players(no pun intended)and STARS of genuine celebrity bands(thank you ALL). Many of my own teenage experiences (both positive & negative) somewhat mirrored those of the gifted Stewart brothers. The soul searching, uplifting tunes of ALL folksters helped me survive an abusive home which, it turns out, John & Michael Stewart knew all about & over which they triumphed. Much appreciation to Jerry Burgan & Alan Rifkin for taking us on this FASCINATING JOURNEY.
5 of 5 people found the following review helpful. Superb! Well worth the wait! By Bill Wylie This is on of the best books ever written about the San Francisco music scene and probably the best ever written about the SF folk music scene. This book takes me back. I grew up in Mill Valley, CA just down the road from John Stewart's house. My oldest sister was the babysitter for the three Stewart children at that time. Mill Valley back then was filled with talented musicians and artists. Totally different vibe back then. This book explained so much about what was going on back then both in San Francisco and Marin County. Not to mention what a powerful creative force Mike Stewart was. The book is somewhat sad in parts and should be required reading for anyone entertaining the thought of entering the music business. Great Book!
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